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Category Browse Pop Art << Artists by Art Movement << Museum Artists

Retrospect 1989, by Keith Haring
Art Print
Size: 39x28 inches
Product Rank 12
Retrospect 1989, by Keith Haring
Art Print
Size: 75x41 inches
Product Rank 2

X-5, by Robert Indiana
Art Print
Size: 29x23 inches
Product Rank 6
Crystal Bowl, by Roy Lichtenstein
Serigraph
Size: 30x44 inches
Product Rank 4

Savarin Cans, Whitney Museum, by Jasper Johns
Art Print
Size: 30x46 inches
Product Rank 0
Pink Heart, 1983, by Jim Dine
Art Print
Size: 29x46 inches
Product Rank 0

Bicycle, National Gallery, by Robert Rauschenberg
Art Print
Size: 27x39 inches
Product Rank 28
Untitled, by Jasper Johns
Art Print
Size: 60x28 inches
Product Rank 5

Red Barn, by Roy Lichtenstein
Art Print
Size: 51x39 inches
Product Rank 0
Ventriloquist, MOMA, by Jasper Johns
Limited Edition
Size: 26x39 inches
Product Rank 0

Girl, by Roy Lichtenstein
Art Print
Size: 16x20 inches
Product Rank 107
Petit Ange, by Keith Haring
Art Print
Size: 12x10 inches
Product Rank 70

Untitled, by Keith Haring
Art Print
Size: 28x28 inches
Product Rank 8
Untitled-1985, by Keith Haring
Art Print
Size: 20x28 inches
Product Rank 2

Ruckus Rodeo, by Red Grooms
Art Print
Size: 24x36 inches
Product Rank 3
Marilyn Tate, by Andy Warhol
Limited Edition
Size: 20x30 inches
Product Rank 1

Kimiko Powers 1981, by Andy Warhol
Art Print
Size: 25x35 inches
Product Rank 1
Etude in Resonance 1991, by Clifford Singer
Limited Edition
Size: 41x44 inches
Product Rank 10

Monotypes, 1983, by Jim Dine
Art Print
Size: 21x29 inches
Product Rank 1
Ideoplasme, 1984, by Jean Dubuffet
Art Print
Size: 26x33 inches
Product Rank 3

1985 Hourloupe, 1963, by Jean Dubuffet
Art Print
Size: 16x33 inches
Product Rank 2
Jazz Band, 1944, by Jean Dubuffet
Art Print
Size: 27x24 inches
Product Rank 1

Classic Sky Love (Red Green Blue), by Robert Indiana
Art Print
Size: 28x30 inches
Product Rank 69
Camera, by Tom Slaughter
Art Print
Size: 16x14 inches
Product Rank 1

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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.